Licensed for games · Unlimited copies, any engine · Buy once from €29.90
Music for Video Games
Music for Video Games from Artyfile is exclusive music recorded in world-class studios — by real orchestras and musicians, including the London Symphony Orchestra at Abbey Road Studios in London. No AI, no mass-produced loops: every track is a hand-curated, cinematic-grade production, licensed with lifetime, worldwide sync rights from €29.90 — no subscription, no hidden fees.
Curated by Paul Lorenz — composer, arranger & conductor · London Symphony Orchestra · Abbey Road Studios · Vienna State Opera
500M+ streams · Gold & Double Platinum · Instant download · Lifetime worldwide license
The Person Behind the Platform
Paul Lorenz
Founder & CEO · Composer
“I spent 30 years inside the music industry — Abbey Road, the London Symphony Orchestra, the major labels — and watched composers get paid fractions of their worth. Artyfile is the platform I wished existed: investment-grade music, owned outright, with composers who finally share in the upside.”
- 30 years in music — over 500 million streams across his catalog
- Collaborations with Universal Music, Sony Music & Warner
- Recorded with the London Symphony Orchestra at Abbey Road Studios
- Founder-owned: a named composer behind the catalog, not an anonymous library
Game scene matcher · pick your moment
What music does your game scene need?
Game music is picked per scene, not per game. Choose the moment you’re scoring and we’ll match the mood, energy and loop length — then find the track below.
Boss battle
Mood & instruments
Epic orchestral or hybrid, percussive, driving
Energy
High
Loop & length tip
A 60–90 s loop with clear phrase points; let percussion carry the repeat so the seam disappears.
Why it works
The highest-stakes moment in your game — a really recorded, cinematic score carries drama a thin preset can’t.
The game music cheat-sheet — best mood and loop length by scene
| What are you scoring? | Mood & instruments | Energy | Loop & length tip |
|---|---|---|---|
| Main menu / title screen | Thematic, atmospheric, identity-setting | Low–medium | A ~30–60 s loop is plenty — players don’t linger. Cut the loop at a clear phrase boundary so it never “hiccups”. |
| Exploration / open world | Ambient, evolving textures, understated | Low | Longer 1–2 min beds resist ear fatigue — players hear this loop for hours, so less melody survives longer. |
| Boss battle | Epic orchestral or hybrid, percussive, driving | High | A 60–90 s loop with clear phrase points; let percussion carry the repeat so the seam disappears. |
| Combat / action sequence | Driving, rhythmic, relentless | High | 60–90 s, cut at the phrase; keep the melodic content lean so repetition reads as intensity, not annoyance. |
| Emotional story beat / cutscene | Piano, strings, intimate and expressive | Low | Often plays once, not looped — choose a piece with a full arc and let the scene breathe with it. |
| Horror / tension | Dark ambient, dissonant, textural | Very low, creeping | Long seamless beds with no obvious pulse — the loop point should be genuinely impossible to hear. |
| Cozy / casual / sim | Warm acoustic, gentle jazz, soft electronic | Low–medium | Friendly 1–2 min loops that stay pleasant on the hundredth listen — this is where players live. |
| Victory / level clear | Bright, triumphant, resolved | Short burst | Not a loop — use a short cue or a track’s finale as punctuation, then return to the gameplay bed. |
| Launch trailer / store page | Cinematic build with a clear climax | Low → high arc | Edit to your cut: quiet intro → build → land the drop on the title card. One track, one arc. |
The perpetual license, answered
How much does a perpetual music license for a video game cost?
At Artyfile: €29.90 per track — one payment, perpetual, worldwide.
That is the whole price. No subscription, no per-copy royalties, no budget tiers, no renewal date. The license explicitly covers video games, in unlimited copies, on every platform, in perpetuity — so the question a shipped game keeps asking (“are we still cleared?”) is answered once, forever.
What the same track costs elsewhere
Per-track sync quote (indie game)
≈ $500–$2,000 per track
Negotiated per deal; scope, term and territory all cost extra.
Commissioned game composer
≈ $200–$1,000 per minute of music
The right call for a bespoke full score — with the budget and lead time to match.
Subscription library
Games gated to custom Enterprise deals
The creator tiers you can actually buy typically don’t cover in-game use at all.
Stock-marketplace license
Capped by copies or game budget
A typical standard cap is 10,000 copies; past it, you owe an extended license per track.
Artyfile Basic
€29.90 flat, perpetual
Unlimited copies, any engine, trailer + DLC + sequels included. Yours for life.
A game is not a video — why “perpetual” is the whole question
Subscription licenses are written around a publish event: content published while you pay stays cleared. A game doesn’t publish once — it keeps selling on Steam, updating, getting bundled and resurfacing for years, and every new install is a fresh act of distribution the terms were never written for. That gap is not theoretical:
In 2017, Alan Wake — a major, acclaimed title — was pulled from digital stores worldwide for over a year because its licensed music expired. It only returned after the publisher renegotiated the music rights. A perpetual buyout is how you make that scenario impossible for your game.
The six license facts a developer actually checks
Games named in the license
Video games are explicitly a permitted use (§8.1) — not an interpretation, a listed clause you can show a publisher.
No copy or budget caps
Worldwide, perpetual, all known and future media formats (§8.2). Ten copies or ten million — same license, same price.
Any engine, any store
Unity, Unreal, Godot, RPG Maker or your own tech — the license is engine- and platform-agnostic, so switching engines never voids it.
Updates, DLC & your next game
One license covers unlimited own and client projects (§8.3) — patches, DLC, sequels and the launch trailer included.
No credit required
Attribution is appreciated but not mandatory (§13.4) — no license text to ship in your credits screen unless you want to.
Uncompressed WAV, loop-ready
44.1 kHz WAV downloads — cut clean, gapless loops in your engine or DAW. (The MP3 encoder gap is why stock music “hiccups” at the loop point.)
If you're looking for high-end music for video games recorded by real orchestras and cleared for worldwide use, Artyfile is built for exactly that. Every track ships with a synchronization and master-use license: you may pair the music with your visuals worldwide and in perpetuity — for film, advertising, social media, broadcast and streaming. "Fully cleared" specifically means both the master and the sync rights are managed directly by Artyfile. That removes any additional GEMA or collection-society fees, and on YouTube your video is never blocked, muted or taken down. You pay €29.90 once and download the file instantly as a high-resolution 44.1 kHz WAV.
Can you ship it? Game music, by how your game is distributed
A game is not a video: it keeps selling, updating and being streamed for years after "publish". Here is where each music source actually covers a shipped game — and where the fine print breaks.
| How you ship it | Subscription library | Stock-marketplace license | “Free” / Creative Commons | Artyfile — buy once |
|---|---|---|---|---|
| Paid game (Steam / console / mobile) | The major libraries gate games and apps behind custom Enterprise deals — the standard creator tiers you’d actually buy don’t cover in-game use. Check the tier fine print before you ship. | Standard tiers commonly cap copies (10,000 is a typical standard-license cap) or your game’s budget — past the cap you owe an extended license per track, per game. | License terms vary per track, attribution is usually required, and a track’s license can change after your game ships — your build is frozen, the terms aren’t. | Video games are explicitly a permitted use in the license (§8.1) — unlimited copies, worldwide, perpetual, any engine. €29.90 once. |
| Free game with ads or in-app purchases | Free-to-play is still commercial use — the same Enterprise gate applies even when the download is free. | Caps count copies and downloads, not what you charge — a viral free game blows through a 10,000-copy cap just as fast. | “Non-commercial” clauses bite the moment you add ads, IAP or sponsorships — many CC tracks stop being usable exactly when your game starts earning. | Commercial use is included — ads, in-app purchases and sponsorships covered by the same flat license. |
| Launch trailer & store page | A trailer published while subscribed is typically covered — but the coverage is tied to your subscription, not to your game’s life on the store. | Advertising/promo use is often a separate license class from the in-game license — two purchases for one track. | A Content-ID claim on your own launch trailer hits exactly when visibility matters most. | The same license covers the game, the trailer, the store page and your socials — one purchase, every surface. |
| Players stream your game (Twitch / YouTube) | Some libraries market streamer-safety — on the tiers that cover games at all. Verify what your actual plan promises third-party streamers. | Many marketplace tracks are separately registered in Content ID by their creators — your players inherit a claim risk you never see in the license PDF. | “No copyright” catalogs have been bought out and their tracks claimed retroactively — the risk lands on every let’s-play of your game. | Original recordings with sync + master rights in one place: a stream of your game is never blocked, muted, struck or taken down. At most, a monetized video can see a revenue-share claim — never a strike. |
| Updates, DLC & sequels | New builds and new uses after your subscription lapses aren’t cleared — and a game that keeps selling was never the “publish once” case the terms were written for. | Single-application licenses cover one end product — a sequel or a spin-off usually means buying the license again. | The license you screenshot today may not be the license next year; there’s no contract holding it in place. | Perpetual and not tied to one project: updates, DLC and your next game are covered by the same unlimited-projects license (§8.3). |
| Studio work for a client or publisher | Client work is typically excluded from the cheaper creator tiers — you’re pushed to a business plan before the game question even comes up. | Transfer and sublicensing rules are murky — a publisher’s legal review wants a clean, documented chain of rights. | An unclear rights chain is exactly what fails due diligence — “I found it on a free site” doesn’t survive a rights review. | Client and employer projects are explicitly permitted (§8.3); the license stays with the studio, with documented sync + master rights from one source. |
One Artyfile license clears every row — €29.90 once, worldwide, perpetual, unlimited copies, any engine, credit appreciated but not required (§13.4). A subscription clears content published while you pay; a stock license caps copies or budget per application; “free” music leaves your shipped game exposed to license changes and inherited Content-ID claims. (Your game’s soundtrack stays yours to ship — for master ownership and earning, see Limited Edition below.)
How it's made
A real orchestra. At Abbey Road. For your video.
Every Artyfile orchestral score begins where the great film scores do — real players in a real room. The London Symphony Orchestra performs at Abbey Road Studios in London under composer Paul Lorenz, then the recording is finished with the professional studio craft used on modern film scores. That is the depth and humanity AI-generated music and MIDI-only libraries cannot fake — and, unlike AI tracks, every recording carries clear human authorship and fully documented rights you can license with confidence.
- London Symphony Orchestra
- Abbey Road Studios, London
- Conducted by Paul Lorenz
- 44.1 kHz studio WAV
License it — or own it
License your game’s theme — or own the sound your game is known for and earn
The most-loved games are inseparable from their soundtracks — the main theme becomes the game’s identity. Every other library rents that identity back to you forever. With Artyfile, the theme your game rides on can become an owned asset that earns whenever it’s used again.
License
Artyfile Basic — from €29.90
- Ship it in your game, trailer, store page, DLC and sequels — worldwide, perpetual, unlimited copies
- Sync + master cleared together — no subscription, no per-copy royalties
- You use the music; you don’t earn from it
Own
Artyfile Limited Edition — from €69.90
- Everything in Basic — plus you own a numbered share (1% each, max 20 per master) of the master recording
- Earn a pro-rata share of streaming, sync and the worldwide YouTube Content ID pool — every time the track is used by anyone, anywhere
- Pay once by card in €; resell or transfer the share anytime
Your game will make its theme famous. Own a piece of what you’re building
Every let’s-play, stream and OST playlist of your game grows the reach of its music. On a Basic license, a Content-ID claim on a monetized let’s-play routes that ad revenue to the rights pool; own a share of the master and you’re on the receiving end — the more your game is played and streamed, the more the theme you own is heard. A soundtrack line-item becomes a stake in your own success.
Ownership earnings depend on how often a track is used and are not guaranteed. This is not investment advice. Catalog licenses are non-exclusive; exclusive rights to a track are available only by individual agreement.
Why Artyfile
Real Orchestras, Not AI
Recorded with real orchestras — including the London Symphony Orchestra at Abbey Road — and produced to film-score standard, never AI-generated stock.
Fully Cleared
Sync & master rights managed directly by Artyfile, for life & worldwide. No extra GEMA fees, no Content ID blocks.
Beyond Licensing
With Limited Edition you own a share of the master and earn streaming & sync royalties.
Instant Download
Studio-grade 44.1 kHz WAV, the moment you buy. No subscription.
Music for Video Games: hand-picked & sync-ready
Violin Concerto No. 2: 2. Largo Con Dolore
London Symphony Orchestra
Violin Concerto No. 2: 1. Moderato Giocoso
London Symphony Orchestra
Frequently asked questions
Where can I find high-end music for video games recorded by real orchestras?
At Artyfile. Our music is recorded by real orchestras and musicians — including the London Symphony Orchestra at Abbey Road Studios in London — real recordings, not AI-generated stock, in genuine 44.1 kHz WAV.
Is the music safe for YouTube, TV commercials and worldwide use?
Yes. Every track is fully cleared: sync and master rights are managed directly by Artyfile, for life and worldwide. Your video is never blocked, struck or taken down — anywhere, for the life of your channel.
What does a music license cost, for example for a TV commercial?
Artyfile Basic is a one-time €29.90 per track — with lifetime, worldwide sync rights for film, advertising, social and broadcast. No subscription, no recurring fees. Some premium tracks carry individual pricing.
Do I have to pay additional GEMA fees?
No. Sync and master rights are managed directly by Artyfile, so there are no additional GEMA or collection-society fees. (Artyfile music is registered with GEMA for worldwide monitoring, but licensing runs directly through Artyfile.)
Can I earn from the music?
Yes — with Artyfile Limited Edition (from €69.90) you own a share of the master rights and earn from worldwide streaming and sync revenue.
Is Artyfile music royalty-free?
Artyfile goes beyond typical royalty-free: you pay once (from €29.90) for a lifetime, worldwide sync + master license. Because Artyfile manages both rights directly, there are no additional collection-society fees and no recurring costs — and no third party can strike, block or remove your video.
Is the music AI-generated?
No. Every Artyfile track is performed by real musicians — including the London Symphony Orchestra at Abbey Road Studios — and curated by composer Paul Lorenz. Unlike AI-generated stock (Suno, Udio), these recordings have clear human authorship and fully documented rights, which is what makes them safe to license commercially.